Title: Chicco Twala Applauds Remix of ‘I Need Some Money’ Despite Unfamiliarity with International Artist
Esteemed musician and producer Sello ‘Chicco’ Twala expresses satisfaction with the remix of his classic hit ‘I Need Some Money,’ despite his lack of familiarity with the international artist behind the rendition.
The reimagined version, crafted by Los Angeles-based producer and DJ Mia Moretti, breathes new life into the 1986 classic, incorporating Marimba drums and dynamic kicks and snares to deliver an upbeat twist.
While acknowledging his limited engagement with artists, Chicco credits his publisher for facilitating the remix, emphasizing his contentment with the outcome. “I normally receive information from Gallo, my publisher,” he explains. “They informed me last year already. I don’t engage with artists; my publisher takes care of that. I don’t know who the artist is, if it’s a he or she.”
Expressing his approval of Moretti’s work, Chicco remarks, “It sounds good. I think it’s good for the US and Europe market. She knows her audience.”
Reflecting on the broader reach of his music, Chicco recalls previous instances of international recognition, including a Canadian rock band’s sampling of his 1995 song ‘Sixolele Baba’ to create ‘Relentless,’ as well as features in notable films like ‘Phat Girls’ and ‘Hotel Rwanda.’
Despite his global acclaim, Chicco emphasizes the significance of appreciation from his home country, affirming, “Charity begins at home, and the people at home have made me the person I am today. Obviously, international recognition comes after that.”
Addressing his familial ties, Chicco shares insights into his relationship with celebrated DJ Lamiez Holworthy, confirming their bond following his public acknowledgment of paternity. “The relationship is normal; it’s of a father and child. She’s my daughter,” he asserts.
Regarding the revelation of their connection, Chicco explains, “We know each other from the days she was a young girl. I have other kids and I have not made them public, besides Longwe.” He acknowledges Lamiez’s understanding of the decision to keep their relationship private, noting, “She’s an adult now; she understands the reasons. It’s something we couldn’t talk about publicly.”
While Lamiez’s mother and manager, Imelda Klow, declined to comment on their familial ties, Chicco’s affirmation of their bond underscores the enduring significance of family amidst his musical legacy.
